Architecture et Design de Luxe | FirstClass Magazine

BRUNO ZERDOUN
The eye of the street
Born in Paris, Bruno Zerdoun is a French photographer whose lens captures the soul of urban life with remarkable precision. Based in Miami for over two decades, he discovered his passion for photography later in life and devoted himself to street photography, an art that freezes fleeting moments of everyday life. 

His work stands out for its ability to capture the ephemeral, transforming ordinary scenes into timeless visual narratives. The streets and natural light are his playground, where he creates images that blend authenticity and aesthetics. His photographs invite viewers to interpret the story behind each frame, or imagine their own. Among his most notable series is a collection dedicated to Orthodox Jews, set against the streets of Wynwood, Miami’s famous Street Art district. This series, dubbed "Rabbibi," presents a striking contrast, immortalizing figures rarely seen in such an environment and creating a visual dialogue that is both intriguing and captivating. 

Bruno Zerdoun’s work has been featured on numerous platforms and exhibited at Art Basel Miami, cementing his talent and unique perspective on the world. First Class: Your work captures fleeting moments of life with strong storytelling. How would you define a "good" street photograph?  Bruno Zerdoun : An image that makes you stop and look. It’s the marriage of authenticity and aesthetics. Combine the natural beauty of the scene with the photographer’s eye and technical skill, and you have the key ingredients for a good photograph.  Your portraits of Orthodox Jews in the Rabbibi series are particularly striking. 

Why did you choose this subject?  I was drawn to creating these somewhat unusual images, using the figure of the rabbi, a symbol of religious practice and, in a way, of restriction, in a setting filled with graffiti and street art, which are supposedly incompatible. However, the visual result proves otherwise, and so does the spontaneous participation of real rabbis in this series. Spirituality and Judaism coexist perfectly well with seemingly opposite worlds like rock music, fashion, and art.    

Would you say that your photography is primarily aesthetic or conveys a message?  Apart from the preconceived notions I wanted to highlight with the Rabbibi series, my photos don’t carry any particular message. That might happen one day. I have nothing against it and generally respect photographers who share ideas through their images, but delivering a message has never been a source of motivation in my work. I’m fortunate to practice this profession as a hobby, and I take advantage of that by avoiding heavy or condescending images. 

How important is spontaneity in your work? Do you plan your shots, or do you rely more on the moment?  Sometimes, I notice a beautiful light enhancing an interesting location. I choose my angle and make two or three adjustments to optimize the shot. If the place is empty, I imagine the ideal subject that would pass by to elevate the photo. I might wait a long time. A very long time. Sometimes, the subject never appears. Or when they finally do, a truck blocks the view, or a cloud ruins the light. That’s part of the game. But if, in the end, the perfect subject shows up and the shot works, what should we conclude? Is it a moment captured thanks to the unpredictability of the subject, or is it a staged shot without spontaneity, since I can wait 45 minutes without moving an inch, having already composed and focused my frame? 

How do you see the evolution of street photography in the face of new technologies and social media?   Evolution often means transformation, so when facing significant changes, people either get worried or excited. This is what is happening about AI. Even though its impact in the long run is not quite determined yet -since its power keeps evolving at a pretty fast pace, AI is a true revolution, which will obviously impact -and does it already, every field of visual art, including photography. Looking at impressive pieces of art lately, in both video and photography, I must say I belong to those who rather get enthusiastic about ai than anxious.  Those who are the most concerned tend to be worried about copyright, but they shouldn’t be. 

When it comes to regulations, solutions and agreements will always be found to resolve disputes. As for the creative side, the revolution has already begun. Social media had already paved the way. Interest in photography and visual art in general is growing exponentially.  Creating images shouldn’t be the exclusive privilege of those who know how to use a camera and master technique. It should be accessible to anyone with a spark of creativity. In the end, as with everything, talent will make the difference, but access is more open than ever, and I’m delighted about that.     Which artists or photographers have inspired you?  Vivian Maier, the patron saint of street photography. I would give anything to have her talent. I still spend long moments studying her photos, trying to dissect the magic they exude. The phrase immortalizing a moment is an understatement when it comes to her work. Pure genius   

What are your upcoming projects? Any new series in the works?  This year, I’m going to explore deep America. I’ve lived in the U.S. for 25 years, but I’ve always traveled outside the country. Recently, I watched all five seasons of Fargo. I had no idea it would be almost as good as the Coen brothers’ iconic film. That finally convinced me to go meet the Americans of Minnesota, North Dakota, and the Midwest, the ones often forgotten, the silent majority that exists in the vast space between New York, Miami, and Los Angeles. I’ve already started planning and discussing the project with potential sponsors. I should complete and deliver it by the end of 2026. 
 www.brunozerdoun.com

DESIGN & ARCHITECTURE      
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PALACES OF LEGEND
The Hotel de Paris
A few cable lengths from the Monte-Carlo Casino, where the Casino Square radiates its permanent brilliance and where the Mediterranean shimmers below like a jewel case of precious stones, stands a monument that transcends the very notion of a palace hotel. Since its opening in 1864, the Hôtel de Paris Monte-Carlo has embodied, all by itself, the glamour of the Principality. Here, the white limestone of its Belle Époque façade tells not merely the story of a hotel — it whispers that of a civilization of absolute luxury, forged upon a Rock that the entire world has come to envy. 

A Legend Born of a Bold Wager It all begins in 1863, when François Blanc, a brilliant visionary and founder of the Monte-Carlo Société des Bains de Mer, lays the foundations of a dream. His motto, which still resonates today as a founding manifesto, is of striking clarity: "Here, we must give dreams, pleasures and beauty." From this bold wager — transforming into a world-class prestige destination a site where once only olive and lemon trees grew — an institution is born whose reputation will soon be without equal on the face of the globe.

Its Belle Époque façade continues to captivate, while the interiors have been carefully renovated to meet the demands of the most discerning travellers. From crowned heads to the great figures of this world, from Hollywood divas to the most powerful industrialists of each century, all have crossed this hallowed threshold. No great name in contemporary history seems a stranger to these gilded corridors. The bond between the Hôtel de Paris and the Grimaldi family is itself the stuff of legend. The hotel served as the venue for the reception dinner of the wedding of Prince Rainier III and Princess Grace, for their twentieth wedding anniversary, for the celebrations of the Prince's twenty-fifth anniversary of reign, as well as for countless birthdays and private family gatherings.

It is difficult to imagine a finer consecration for any hotel establishment.  A Palace Reinvented for the 21st Century Between 2014 and 2018, the Casino Square district, Monaco's centre of gravity, underwent a complete transformation, giving birth to a new Monte-Carlo of which the Hôtel de Paris is the beating heart. This colossal renaissance, one of the most ambitious renovations ever undertaken in the world of hospitality, made it possible to preserve the soul and the genius of the place while propelling it into a sovereign modernity.

The establishment offers 206 rooms and suites, all recently renovated to the highest standards. Every space breathes excellence: noble materials, generous volumes, masterfully controlled lighting, technology perfectly concealed behind an elegance that never falters. Exclusivity here is a philosophy of life, not a marketing promise. Lighting, textures, amenities: everything in this place converges toward the unforgettable experience of a five-star hotel. The Patio des Joailliers — an ultra-exclusive setting housing the greatest fine jewellery houses — the American Bar, where signature cocktails are savoured against a backdrop of live jazz, and the Wellness Sky Club, with its heated outdoor rooftop pool, together compose an art de vivre of rare coherence.

Guests enjoy direct access to the Thermes Marins Monte-Carlo, a temple of well-being and health spanning over 6,500 square metres. An indoor pool, solarium, hammam, sauna, jacuzzi and state-of-the-art fitness centre form a sanctuary of rejuvenation that has few equals on the Riviera.  The Louis XV – Alain Ducasse: Gastronomy Elevated to the Rank of Sacred Art On the ground floor of the palace, behind tall sculpted doors that seem to jealously guard a treasure, lies one of the most revered temples of world gastronomy.

The Louis XV – Alain Ducasse is to gastronomy what the Eiffel Tower is to Paris: a landmark, an unmissable address, an icon. Its story is one of a challenge met with breathtaking panache. Alain Ducasse opened the restaurant in May 1987, after Prince Rainier III of Monaco and the Société des Bains de Mer challenged him to earn three Michelin stars within four years, making it the first hotel restaurant to reach that level of distinction. Ducasse was barely thirty-three years old when the Louis XV became the first hotel restaurant to receive three stars in the Michelin Guide — and achieved this in just thirty-three months, a full fifteen months ahead of the set deadline. His celebrated vegetable menu "Jardins de Provence", launched in Monaco on 27 May 1987, has been one of the touchstones of French gastronomy for over thirty years. Since then, it is Emmanuel Pilon who brilliantly perpetuates the Ducassian philosophy, supported by pastry chef Sandro Micheli. The cuisine of naturalness enriches the Mediterranean repertoire of the Louis XV, whose chef, inspired by the recipes and produce of the Riviera, delivers a modern, light and vibrant interpretation. Only elite teams can produce cuisine such as that of the Louis XV — a cuisine that is considered, crafted, refined and symphonic, in which every musician commits to a perfect performance.

The restaurant's cellar holds some 400,000 bottles of wine, a viticultural and oenological treasure of breathtaking scope, guided by head sommelier Maxime Pastor whose expertise is worthy of the collection itself. The Louis XV welcomes its guests from Tuesday to Saturday in the evening, as well as on Friday and Saturday for lunch. A reservation must be planned several weeks, even several months in advance, so greatly does demand exceed availability on any given night.  The Diamond Suite Prince Rainier III: A Villa in the Skies If one were to name the ultimate apotheosis of luxury hospitality in Europe, it would undoubtedly be this. A true "villa on the rooftop", the Diamond Suite Prince Rainier III is the largest suite at the Hôtel de Paris and one of the most spectacular in the known world. It was inaugurated on 29 January 2019 by H.S.H. Prince Albert II of Monaco and H.S.H. Princess Stéphanie.

The suite unfolds across approximately 830 square metres of refined spaces, conceived as a private residence offering an exclusive experience. Entirely open onto the Casino Square, it brings together the finest French and Italian decorative craftsmanship. Golden tones alternate with touches of more vivid colours, creating an atmosphere of luminous contrast that only the greatest interior designers know how to orchestrate. What makes this suite absolutely unique is its deeply intimate connection with the history of the Principality. The most precious elements are the light fixtures created from drawings and models by the hand of Prince Rainier III himself, making this space a truly one-of-a-kind place in the world. Works of art and photographs drawn directly from the late Prince's personal collection adorn every corner of the suite. To stay here is therefore to step into the private world of a sovereign, to reach out and touch legend.

The amenities are commensurate with the exceptional: two bedrooms — with the possibility of a third communicating room —, a study, an entrance dressing room with a cloakroom and a dressing room per bedroom, three sitting rooms, a living room, a dining room, a kitchen, a bathroom with bathtub, hammam shower and sauna, as well as a second bathroom with bathtub and hammam shower. Outside, a panoramic terrace of approximately 350 square metres spread across two levels offers a spectacular view over the Casino Square, the Mediterranean, Monaco, France and, on the horizon, Italy. The terrace itself is breathtaking, with a heated infinity pool, sun loungers, an outdoor dining table and a lounge area perfect for savouring a cocktail at sunset. The bar area in the main living room and the superb heated pool with a counter-current swimming system make the Prince Rainier III Suite the promise of an unforgettable journey. The personal service accompanying the suite's residents is equally extraordinary. A team of private Clefs d'Or concierges is at the guests' entire disposal. Chauffeurs, housekeepers, chefs, sommeliers and maîtres d'hôtel are all dedicated to making the experience absolutely unforgettable. Every guest is welcomed from the airport or heliport, with welcome gifts and personalised attentions. A bespoke treatment at the Thermes Marins in winter, a private tent at the Monte-Carlo Beach in summer, complete this offering of incomparable services. Lovers of haute gastronomy may be invited to Chef Alain Ducasse's private table, for a four-course dinner prepared by the chef of the Louis XV — a rare privilege that only the Diamond Suite can offer. The rate: The Diamond Suite Prince Rainier III is available upon request, at a price ranging from 35,000 to 45,000 euros per night depending on the season. An investment which, for those who know what they are purchasing, is beyond price: not a hotel room, but a living piece of Monaco's princely history, suspended above the Mediterranean, with the entire world at one's feet.  The Aura of a Perpetual Myth Monte-Carlo Société des Bains de Mer today reinforces its status as the most starred resort in the world, with ten Michelin stars gathered across its establishments.

The Hôtel de Paris remains the backbone of this empire of refinement, the place where every detail is a declaration of intent and where every stay becomes a memory. Each year, during the Monaco Grand Prix, the fastest single-seaters in the world brush past its façade in a roar of engines. The hotel has watched the fever of the world pass by for more than one hundred and sixty years, impassive and magnificent, certain that it has nothing to prove to anyone. For the Hôtel de Paris Monte-Carlo is the benchmark palace, the one against which all others measure themselves, without ever quite equalling it. 

DESIGN & ARCHITECTURE      
THE MOST INCREDIBLY BRILLANT ANS BOLD PROJECTS
 

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THE MOST INCREDIBLY BRILLANT ANS BOLD PROJECTS
 

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 DESIGN & ARCHITECTURE      
THE RITZ PARIS:
WHERE PLACE VENDÔME DEFINES THE ART OF LUXURY.
The Ritz Paris asserts itself more than ever as one of the ultimate stages of global luxury, a condensed showcase of French refinement and worldly legends, right in the heart of Place Vendôme. 

Behind its classic façade, this palace blends history, exceptional architecture, masterful craftsmanship, and an elite clientele, creating a unique performance of the French art of living. The architecture of the Ritz Paris follows the pure tradition of the grand hôtels particuliers of Place Vendôme, echoing its majestic Louis XIV façade, punctuated by tall windows, understated pilasters, and a harmonious cornice that embraces the square’s perspective. Inside, the palace cultivates a resolutely classical style, inspired by Louis XV and Louis XVI décor, where patinated woodwork, finely carved moldings, veined marble, gilded accents, and crystal chandeliers form a coherent and refined decorative vocabulary. 

The enfilade salons, opening onto the square or inner gardens, are conceived as true living stages, adorned with thick carpets, monumental fireplaces, and intricately framed mirrors that amplify the light and create a sense of theatrical depth. In the rooms and suites, the same spirit of “subtle luxury” prevails, with cream, gold, or pastel tones, sumptuous silks, 18th-century-inspired furniture, and fully concealed technology, preserving the illusion of a timeless private apartment.  A Historic Jewel in Place Vendôme Overlooking Place Vendôme, perhaps one of Europe’s most beautiful urban compositions, the Ritz Paris occupies the former Hôtel de Gramont, a townhouse built at the beginning of the 18th century. Behind its classical façade, punctuated by pilasters, tall windows, and arcades opening onto boutiques and salons, the palace unfolds a refined scenography where marble, woodwork, gilding, and masterful perspectives compose a cinematic setting. 

Located at 15 Place Vendôme, just steps from Rue de la Paix, Place de la Concorde, and the Tuileries Gardens, the hotel enjoys a privileged position at the crossroads of haute jewelry, haute couture, and the institutions of the French Republic. In this environment, where jewellers’ houses, luxury boutiques, and grand ministries share the façades, the Ritz embodies an address whispered about more than it is publicly displayed. The Visionaries and Great History The Ritz Paris was born in 1898 from the dream of a visionary Swiss, César Ritz, already hailed as the “king of hoteliers and hotelier to kings,” in partnership with the renowned chef Auguste Escoffier. Together, they acquired the former Hôtel de Gramont and entrusted its transformation to architect Charles Mewès, who designed a revolutionary hotel for its time, featuring private bathrooms, electricity, and telephones in the rooms. 

From the moment it opened, the Ritz established a new language of luxury, combining unprecedented technical comfort with absolute discretion, soon becoming the benchmark for the great European palaces. The hotel quickly became a privileged stage of history: a headquarters for occupiers during World War II, a refuge for royalty, diplomats, and writers, it weathered crises and renaissances without ever losing its aura as the ultimate address.  Owners and Transformations After César Ritz, the property remained in the Ritz family until the 1970s, notably under his son Charles Ritz, a figure of post-war Parisian elegance. Following his death, his widow Monique Ritz ultimately sold the palace in 1979 to Egyptian businessman Mohamed Al-Fayed, who turned it into a flagship of his empire. Al-Fayed undertook massive investments, estimated at around $50 million, to restore and modernize the Ritz while preserving its Belle Époque style, adding a swimming pool, spa, and contemporary amenities. 

Closed in 2012 for extensive renovations and reopened in 2016, the palace is still owned by the heirs of Mohamed Al-Fayed, who continue to uphold the vision of a timeless hotel adapted to the demands of the 21st century. Interior Architecture and Atmosphere The Ritz cultivates sumptuous classicism: enfilade salons bathed in light, monumental staircases, marble fireplaces, thick carpets, and glittering chandeliers create a décor that is at once theatrical and intimate. The rooms and suites, many overlooking Place Vendôme or the gardens, reinterpret a Louis XV and Louis XVI vocabulary, where silks, moldings, gilding, and period furniture converse seamlessly with fully concealed modern technology. In the basement, a spa featuring a neoclassical-style swimming pool, treatment rooms, and relaxation areas extends the idea of a secluded sanctuary, almost timeless. In both public spaces and suites, the hotel draws extensively on Belle Époque references, haute couture, and French decorative arts, creating an aesthetic continuity that reassures a loyal clientele.  

Legendary Suites and Stratospheric Prices With its signature suites, the Ritz Paris ranks at the pinnacle of the global ultra-luxury accommodation hierarchy. Among them, the Coco Chanel Suite – a sprawling apartment of approximately 155 m² – served as the couturière’s residence for over three decades, decorated to her tastes with Coromandel lacquers, Chinese furniture, large baroque mirrors, and generous sofas. The prestigious suites, including the iconic Imperial Suite and the grand suites overlooking Place Vendôme, command dizzying rates of up to around €40,000 per night for the most spectacular configurations, depending on season and level of personalization. These suites, often reserved by royal families, billionaires, and global stars, include dedicated butlers, enhanced security, private dining rooms, reception salons, and sometimes even exclusive wellness areas.  A Clientele of Stars and Royalty For more than a century, the Ritz Paris has attracted an unbroken procession of sovereigns, aristocrats, industrialists, and cultural icons. 

The hotel is intimately associated with Coco Chanel, who lived here as if at home, but also with Ernest Hemingway, whose name now graces the famous Bar Hemingway, a meeting place for writers, filmmakers, and visiting actors in Paris. The address has also welcomed members of European and Middle Eastern royal families, Hollywood icons, and fashion figures, making the Ritz lobby a discreet yet privileged observatory of the international elite. The tragic night of Princess Diana and Dodi Al-Fayed, preceded by a dinner at the Ritz, indelibly inscribed the hotel in the modern collective imagination.  Gastronomy and the French Art of Living At the Ritz, gastronomy is not a mere complement: it extends the original vision of César Ritz and Auguste Escoffier, who aimed to make the hotel a temple of taste. From fine dining to more intimate salons, the palace’s tables uphold a certain French classicism while embracing contemporary inspirations, staged with silverware, porcelain, and choreographed service as ritual. The bars, including the legendary Bar Hemingway, cultivate the art of exceptional cocktails, frequented by international regulars, connoisseurs, and passing travelers attuned to this blend of nostalgia and sophistication. 

Altogether, the experience is holistic, where every detail – from flower arrangements to the scents in the corridors – is designed to embody the French art of living at its pinnacle.  A Symbol of Global Luxury More than just a hotel, the Ritz Paris has become a benchmark—a word even—used to describe the utmost in refinement and exclusivity. In the collective imagination, “going to the Ritz” means entering a parallel, codified world, where time seems suspended and where the concept of service borders on an obsession with perfection. 

On an international scale, the palace remains a symbol of Parisian prestige, on the same level as the Eiffel Tower or the Opéra Garnier, yet reserved for a select circle of “happy few” able to cross its threshold as insiders. The Ritz Paris thus represents not only an address but a culmination: that of total, silent, almost secret luxury, bathed in the mineral light of Paris and Place Vendôme.
 

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